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| [2006-03-09] 방글라데시 비엔날레 (Asian art Biennale) |
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| 아트투어 |
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1) 국가 : 방글라데시
2) 주소 : 다카시, 방글라데시
http://independent-bangladesh.com/news/nov/06/061199mt.htm#A3
3) 주최 : 실파칼라 아카데미 (Bangladseh Shilpakala Academy)
4) 장소 : 오스만 기념홀, 다카 국립박물관, 실파칼라 아카데미 갤러리
5) 참여대상국 : 아시아 태평양지역과 아프리카 36개국 참여
(특히 아프리카 국가들은 제9회 1999년 - 비엔날레부터 참여)
6) 전시
- 제9회 방글라데시 아시아 비엔날레
․ 기간 : 1999. 11. 25부터 약 한달
․ 1981년부터 아시아 태평양지역 국가들 간의 상호 우의와 평화를 다지기 위해
방글라데시 수도 다카에서 개최, 방글라데시 작가 168명의 205점의 작품을 포함,
총 328명의 작가가 출품한 630점이 전시되었다.
"9th Asian Art Biennale Bangladesh 1999"
1999-07-31 until 1999-07-31
Bangladesh Shilpakala Academy
Dhaka, , BD Bangladesh
As the world prepares to enter a new millenium, and take up the challenges that lie ahead, it is forced to look back and re-evaluate its past achievements and failures. Despite the marvelous track record, of this and other centuries, in shaping a global civilization we now call modern, where each country has made its own contribution, the fruits of that civilization unfortunately, have not reached all the nations in an equitable measure. Science and technology have made life on earth richer and happier, but they have not been harnessed properly to improve the conditions of billions of poor people. Wars of unimaginable magnitude have been fought; racial and communal strifes have destroyed many a community, and hunger and poverty are daily companions of about a fourth of the world's population.
However, the picture cannot be entirely bleak because there are some clean, well-lighted areas in our civilization. One such area belongs to art and literature, music and dance, and all the other creative endeavours of human beings, which we collectively call culture. Art and culture can span the seemingly unbridgeable gap that exists among nations and communities. The language of art is universal; therefore it is the property of the entire human race. When individual nations practice and develop their art, it enriches the culture of the world. It is from such an understanding that cultural dialogues and exchanges take place. But for any dialogue or exchange to be meaningful, it should first involve the neighbours, who share similar tastes, values and aspirations. The range then can be extended, and distant neighbours can be reached. The Asian Art Biennale, began with such an aim, and in course of the last 18 years, it has become an event that has linked Asian and Pacific nations in a bond of culture. The Biennale has become a festival that has brought countries together in an attempt to assess the achievements in their art. In place of isolation, the Biennale has fostered togetherness, and in place of individual aims, it has included the possibility of a shared understanding of cultures. The seminar that accompanies the Biennale has opened up the possibilities of discussions and deliberations on various aspects of that shared understanding. The Biennales message has crossed the boundary of the continent: a couple of African nations also took part in the 8th Biennale, proving our point that art is the best link among nations and cultures. The 9th Asian Biennale will be the last one before we enter a new century and a new millenium. We hope that this Biennale will embody our expectations of a world free from hunger and poverty--a brave new world where the beauty of art can be felt and seen in everyday life. All communications and dispatches should be addressed to the Director, Department of Fine Arts, Bangladesh Shilpakala Academy, Segunbagicha, Ramna, Dhaka-1000, Bangladesh. Tel:PABX-880-2-9562801-4,9550602,Fax:880-2-9562853,E-mail: bsacharu@vasdigital.com
12th Asian Art Biennale Bangladesh 2006
Department of Fine Arts, National Academy of Fine & Performing Arts of Bangladesh
Segunbagicha, Ramna,
Dhaka, Bangladesh
Mar 01, 2006 To Mar 31, 2006
Detail: The 12th Asian Art Biennale is proud to showcase the artistic heritage and contemporary art in Asia and kindred regions. It is the firm belief of the organizers that with each Biennale, a new milestone in the unique art movement in Asia will have been crossed showing progress achieved by established and young artists through their works that reflect continuity and change and embrace modernity with tradition. Bangladesh Biennale, since its inception in 1981, has attempted to display the kaleidoscope of various artistic endeavours extant at present in which continuity and change meld spontaneously. The geographical parameter is important only in a generic sense and also for identification of sponsorship in this pioneering venture. It was inevitable that with time other regions that share, more or less, the same artistic impulses and face the same challenge of forging an identity of their own, would be included in the exhibition as has happened in recent years. It is the substance of artistic creativity at present that binds the regions represented in the exhibition together.
Phone No.: 88-02-9550602 Ext-20
Fax: 88-02-9562801-4
Contact Email: bsa@dhaka.net
Further Details:
The Asian Art Biennale Bangladesh was conceived with the assumptions of continuity and change and the co-existence of modernity and tradition in Asian countries. The give and take between the cultural traditions of the 'East' with the "modernity" in art in the west is subsumed in this assumption. It is emphasized, however, that it is only in non-western societies as in Asia that the cultural landscape is in such a flux and ferment as to be unique. Technologically, Asian countries may be late-comers (though a few have overtaken the west or are at par) but in cultural terms they have rich traditions based on collective ethos and age-old aesthetics. The fact that the activities of quotidian nature were intertwined with cultural creativity and there was no separation between art and craft, make the cultural tradition of less industrialised countries more vibrant and varied. Artists in Asia and kindred regions have been influenced by this symbiosis of art and craft, using many of their elements as motifs even as they exposed themselves to the modern trend in art and culture of the west. It is, therefore, not in a geographical sense that Asian art or art of similar regions becomes meaningful and significant as a category. The ferment and flux in which it exists and the mutual accommodation with the west in which it thrives, give a especial identity to Asian art. Moreover, art and culture in these societies have not been homogenized and standardised to the same extent as in the west. Backed by rich tradition and faced with the modern trends evolved in the west, artists in non-western countries have a more challenging and aesthetically a more stimulating task.
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